dorian & godric
Christ, how Dorian hated Texas.
It was the best and worst of America. There still was so much space, plenty of towns barely hanging on, hardscrabble little places that were trying to make their move, the drive and determination and chutzpah that Dorian adored of the America in the past. America in the 1920s was great. A feisty nation, determined to prove itself on the world's stage, bright and brilliant and ready to take on the challenge.
But the Texas cities? The cities were horrible. Large, ugly things almost crushed under the weight of their own self-importance and overpasses. Forgotten centers where all residents fled to cookie-cutter nigh identical houses set in towns created solely for the purpose of commuting. People didn't thrive in places like that, with their subdivisions and big box stores and fucking Targets. You lived there, but you didn't thrive. And Dorian Gray was always looking for something new, something bright and breathing and alive.
Granted, a shitty little dive bar wasn't exactly what most people thought of when they thought of 'alive.' But Dorian had been lingering around Dallas long enough that a few things had gained his interest. The coming out of the closet, so to speak, of vampires had been the big one. Idly, he wondered what Toby would have thought of it all—he felt so alone for so long. Would vampire advocacy groups or these cute little pamphlets have changed anything? Or would the Sunday morning cable news services about how all vampires are damned have made things worse? There's no way of knowing. But Dorian wanted to learn more about this himself.
Try as he may to fit in, it's obvious that Dorian is here for something. He flirts with the waitress and casually asks a few questions about vampire activity in the area. He loses a game of pool but presses his competition whenever they bring up 'fangs.' This is the third day in a row he's made some not-so-subtle inquiries about vampires, something's got to give eventually. He's British as hell, the accent is a dead giveaway, so might as well lean into the obviousness and see what happens.
And as he slips out of the back door of the dive bar, stepping outside to light up a cigarette, Dorian's certain that something will happen. What precisely? He doesn't know.
It was the best and worst of America. There still was so much space, plenty of towns barely hanging on, hardscrabble little places that were trying to make their move, the drive and determination and chutzpah that Dorian adored of the America in the past. America in the 1920s was great. A feisty nation, determined to prove itself on the world's stage, bright and brilliant and ready to take on the challenge.
But the Texas cities? The cities were horrible. Large, ugly things almost crushed under the weight of their own self-importance and overpasses. Forgotten centers where all residents fled to cookie-cutter nigh identical houses set in towns created solely for the purpose of commuting. People didn't thrive in places like that, with their subdivisions and big box stores and fucking Targets. You lived there, but you didn't thrive. And Dorian Gray was always looking for something new, something bright and breathing and alive.
Granted, a shitty little dive bar wasn't exactly what most people thought of when they thought of 'alive.' But Dorian had been lingering around Dallas long enough that a few things had gained his interest. The coming out of the closet, so to speak, of vampires had been the big one. Idly, he wondered what Toby would have thought of it all—he felt so alone for so long. Would vampire advocacy groups or these cute little pamphlets have changed anything? Or would the Sunday morning cable news services about how all vampires are damned have made things worse? There's no way of knowing. But Dorian wanted to learn more about this himself.
Try as he may to fit in, it's obvious that Dorian is here for something. He flirts with the waitress and casually asks a few questions about vampire activity in the area. He loses a game of pool but presses his competition whenever they bring up 'fangs.' This is the third day in a row he's made some not-so-subtle inquiries about vampires, something's got to give eventually. He's British as hell, the accent is a dead giveaway, so might as well lean into the obviousness and see what happens.
And as he slips out of the back door of the dive bar, stepping outside to light up a cigarette, Dorian's certain that something will happen. What precisely? He doesn't know.

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He laughs. "Yes, of course. I can't drive. I never learned."
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That's a new and interesting fact. Dorian wrinkles his nose slightly before pointing out,
"I'm old enough that cars weren't around in my youth but I still learned how to drive. I needed a license for my Vespa."
Granted, he learned how to drive before the 1960s, but that Vespa was very important, dammit.
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He takes off his shirt and replaces it with another of the same cream color.
"Now, I have you."
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Because he sees that cream shirt, buddy.
"I think a deep purple would go very well with your complexion."
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He can still keep going. Dorian slept in, after all, he can work through the night after working through the afternoon. But he absolutely is going to crash once the sun comes up.
"I hope you've got something sporty!" Dorian calls out, as he heads out to try and find Stan. Please be a sports car, please be a sports car...
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Stan hands Dorian the keys and opens the garage door to reveal Dorian's pick of cars - two BMWs or a Corvette.
Godric stands behind him, waiting.
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"Mmm, you have fantastic taste," Dorian grins. He's not a car guy. Not really. But come on, it's a Corvette. He's going to appreciate the hell out of driving this.
"You're the navigator. I cannot wait to floor this thing."
In this moment, it is very obvious there's a nonzero chance that Dorian might crash this car on a joyride at some point in the future.
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Or maybe he can and they end up lost.
He does flip on the radio.
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They are 100% getting pulled over. Sorry, Godric.
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But as they leave the city, it is entirely possible. Fortunately, Godric has his ways.
"When was the last time you drove like this?" he asks, closing his eyes at the sound of the car's engine.
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"I don't have a reason for it to be."
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"A few deaths in our wake should take care of that problem."
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"Dorian..." he mutters, closing his eyes in annoyance. The cops know better to do anything in Dallas, but the more south they roam, the less they are recognized.
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Dorian pulls over to the side of the road, waiting for the cops to pull up behind him. A mask of innocence creeps over his face. Dorian has absolutely flirted and played dumb to get out of tickets before and he 100% is going to do it this time.
"Is there a problem, officer?" he asks, absolutely playing up the big, dumb, innocent twenty-something personality that he knows his face implies.
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The cop doesn't look away, doesn't blink, and Godric grips Dorian's shoulder tightly until the man straightens up.
"You can go," the vampire tells Dorian softly.
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Just saying! Godric didn't have to use whatever vampire bullshit he used (because Dorian is certain this is vampire bullshit). But he puts the car in drive and pulls back on the interstate, making damn sure to actually go the speed limit this time.
"I've done it before—it's easier than you think."
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