dorian & godric
Christ, how Dorian hated Texas.
It was the best and worst of America. There still was so much space, plenty of towns barely hanging on, hardscrabble little places that were trying to make their move, the drive and determination and chutzpah that Dorian adored of the America in the past. America in the 1920s was great. A feisty nation, determined to prove itself on the world's stage, bright and brilliant and ready to take on the challenge.
But the Texas cities? The cities were horrible. Large, ugly things almost crushed under the weight of their own self-importance and overpasses. Forgotten centers where all residents fled to cookie-cutter nigh identical houses set in towns created solely for the purpose of commuting. People didn't thrive in places like that, with their subdivisions and big box stores and fucking Targets. You lived there, but you didn't thrive. And Dorian Gray was always looking for something new, something bright and breathing and alive.
Granted, a shitty little dive bar wasn't exactly what most people thought of when they thought of 'alive.' But Dorian had been lingering around Dallas long enough that a few things had gained his interest. The coming out of the closet, so to speak, of vampires had been the big one. Idly, he wondered what Toby would have thought of it all—he felt so alone for so long. Would vampire advocacy groups or these cute little pamphlets have changed anything? Or would the Sunday morning cable news services about how all vampires are damned have made things worse? There's no way of knowing. But Dorian wanted to learn more about this himself.
Try as he may to fit in, it's obvious that Dorian is here for something. He flirts with the waitress and casually asks a few questions about vampire activity in the area. He loses a game of pool but presses his competition whenever they bring up 'fangs.' This is the third day in a row he's made some not-so-subtle inquiries about vampires, something's got to give eventually. He's British as hell, the accent is a dead giveaway, so might as well lean into the obviousness and see what happens.
And as he slips out of the back door of the dive bar, stepping outside to light up a cigarette, Dorian's certain that something will happen. What precisely? He doesn't know.
It was the best and worst of America. There still was so much space, plenty of towns barely hanging on, hardscrabble little places that were trying to make their move, the drive and determination and chutzpah that Dorian adored of the America in the past. America in the 1920s was great. A feisty nation, determined to prove itself on the world's stage, bright and brilliant and ready to take on the challenge.
But the Texas cities? The cities were horrible. Large, ugly things almost crushed under the weight of their own self-importance and overpasses. Forgotten centers where all residents fled to cookie-cutter nigh identical houses set in towns created solely for the purpose of commuting. People didn't thrive in places like that, with their subdivisions and big box stores and fucking Targets. You lived there, but you didn't thrive. And Dorian Gray was always looking for something new, something bright and breathing and alive.
Granted, a shitty little dive bar wasn't exactly what most people thought of when they thought of 'alive.' But Dorian had been lingering around Dallas long enough that a few things had gained his interest. The coming out of the closet, so to speak, of vampires had been the big one. Idly, he wondered what Toby would have thought of it all—he felt so alone for so long. Would vampire advocacy groups or these cute little pamphlets have changed anything? Or would the Sunday morning cable news services about how all vampires are damned have made things worse? There's no way of knowing. But Dorian wanted to learn more about this himself.
Try as he may to fit in, it's obvious that Dorian is here for something. He flirts with the waitress and casually asks a few questions about vampire activity in the area. He loses a game of pool but presses his competition whenever they bring up 'fangs.' This is the third day in a row he's made some not-so-subtle inquiries about vampires, something's got to give eventually. He's British as hell, the accent is a dead giveaway, so might as well lean into the obviousness and see what happens.
And as he slips out of the back door of the dive bar, stepping outside to light up a cigarette, Dorian's certain that something will happen. What precisely? He doesn't know.

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"Thank you," he nods. "It's been a while since I felt that way."
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“More meaningful. It makes me feel like I’m going to hold onto this like my life depended on it.”
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"I was considering meeting the sun."
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"I'm glad you didn't. That would be a loss. I don't...I would have been lesser if I didn't meet you."
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Godric turns and kisses him. "I won't. I have something worth living for now. I have- something to wake up in the evenings for."
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"I should get out and dry off. My fingers are already turning slightly pruny. We can spend the rest of the evening in each other's arms."
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"My dick can wait a little bit! It certainly won't have any juice left in the tank until tomorrow."
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"Let's get some sleep."
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"Stop talking," he mutters as his eyes close.
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"Sir?"
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"He's in here," Dorian yawns. "And whatever you can say to Godric, you can say to me." Dorian goes to wake Godric up, but hesitates before actually touching the vampire. He's not entirely sure what time it is. If this is going to be a daylight problem, he's going to be the one to solve this. Best not to wake Godric up unless it's something he can actually help with.
"What's wrong?"
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"Those cult guys," he drawls. "They came by the house today. Broke a few windows. You better come see." It's night, the sun well under the horizon, but Godric doesn't yet wake. Dorian can handle this.
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But no matter whether Stan steps outside or not, Dorian and his naked self gets out of bed, slips on a pair of sweatpants he had kicked over to the corner of the room, then steps out. He yawns slightly before musing, "Fairly ballsy of them. In my experience, cults crumble once you take out the figurehead."
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The house is busy when Dorian crosses the threshold into it. There are people everywhere, some vampire and some human. They are fixing the windows, putting up plyboard against the openings, while others pick up glass. The mood in the room is tense.
"Looks like they used bricks, but they were cowardly enough to do it in the middle of the day when they knew we'd be asleep. Maybe just - retaliation for what happened," Stan muses.
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He's also super shirtless but that happens sometimes.
"I'll have to pay them a visit sometime. Try and...persuade them to make less poor choices."
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He glances to the door once. "Boss alright?"
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A less charitable explanation would be how he is very good at blundering into traps, but he's keeping that bit to himself.
As for the question... "He's tired. I suspect most of us are, these days. But as a whole? I'd say yes. He's alright."
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