dorian & godric
Christ, how Dorian hated Texas.
It was the best and worst of America. There still was so much space, plenty of towns barely hanging on, hardscrabble little places that were trying to make their move, the drive and determination and chutzpah that Dorian adored of the America in the past. America in the 1920s was great. A feisty nation, determined to prove itself on the world's stage, bright and brilliant and ready to take on the challenge.
But the Texas cities? The cities were horrible. Large, ugly things almost crushed under the weight of their own self-importance and overpasses. Forgotten centers where all residents fled to cookie-cutter nigh identical houses set in towns created solely for the purpose of commuting. People didn't thrive in places like that, with their subdivisions and big box stores and fucking Targets. You lived there, but you didn't thrive. And Dorian Gray was always looking for something new, something bright and breathing and alive.
Granted, a shitty little dive bar wasn't exactly what most people thought of when they thought of 'alive.' But Dorian had been lingering around Dallas long enough that a few things had gained his interest. The coming out of the closet, so to speak, of vampires had been the big one. Idly, he wondered what Toby would have thought of it all—he felt so alone for so long. Would vampire advocacy groups or these cute little pamphlets have changed anything? Or would the Sunday morning cable news services about how all vampires are damned have made things worse? There's no way of knowing. But Dorian wanted to learn more about this himself.
Try as he may to fit in, it's obvious that Dorian is here for something. He flirts with the waitress and casually asks a few questions about vampire activity in the area. He loses a game of pool but presses his competition whenever they bring up 'fangs.' This is the third day in a row he's made some not-so-subtle inquiries about vampires, something's got to give eventually. He's British as hell, the accent is a dead giveaway, so might as well lean into the obviousness and see what happens.
And as he slips out of the back door of the dive bar, stepping outside to light up a cigarette, Dorian's certain that something will happen. What precisely? He doesn't know.
It was the best and worst of America. There still was so much space, plenty of towns barely hanging on, hardscrabble little places that were trying to make their move, the drive and determination and chutzpah that Dorian adored of the America in the past. America in the 1920s was great. A feisty nation, determined to prove itself on the world's stage, bright and brilliant and ready to take on the challenge.
But the Texas cities? The cities were horrible. Large, ugly things almost crushed under the weight of their own self-importance and overpasses. Forgotten centers where all residents fled to cookie-cutter nigh identical houses set in towns created solely for the purpose of commuting. People didn't thrive in places like that, with their subdivisions and big box stores and fucking Targets. You lived there, but you didn't thrive. And Dorian Gray was always looking for something new, something bright and breathing and alive.
Granted, a shitty little dive bar wasn't exactly what most people thought of when they thought of 'alive.' But Dorian had been lingering around Dallas long enough that a few things had gained his interest. The coming out of the closet, so to speak, of vampires had been the big one. Idly, he wondered what Toby would have thought of it all—he felt so alone for so long. Would vampire advocacy groups or these cute little pamphlets have changed anything? Or would the Sunday morning cable news services about how all vampires are damned have made things worse? There's no way of knowing. But Dorian wanted to learn more about this himself.
Try as he may to fit in, it's obvious that Dorian is here for something. He flirts with the waitress and casually asks a few questions about vampire activity in the area. He loses a game of pool but presses his competition whenever they bring up 'fangs.' This is the third day in a row he's made some not-so-subtle inquiries about vampires, something's got to give eventually. He's British as hell, the accent is a dead giveaway, so might as well lean into the obviousness and see what happens.
And as he slips out of the back door of the dive bar, stepping outside to light up a cigarette, Dorian's certain that something will happen. What precisely? He doesn't know.

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If it sucks, hit da bricks, Godric.
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He gently moves Dorian away, off his lap. "Because the world is not small anymore. I cannot live as I once did."
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He stands and moves away from him, from the smell of his blood in Dorian's veins, the warm skin against his.
"Start slow, Dorian. But...if we are to do this, I need to make certain you are seen with me. As my companion."
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It probably won't be easy enough, but a man can dream.
"When's your next outing?"
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"I have a party tonight. You can come. Sit with me."
He looks out the window. "It is simply a way for then to ask me for favors or permission to change their companion."
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"Do I have to be quiet during all of this? Or can I offer up my two cents on the matter of favors?"
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"They won't thank you for it. So say it quietly to me."
He shrugs.
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It's interesting. And he will be very curious to see how the party goes.
"But I can do that much. I hope you're fine with the fact that I'm a horribly opinionated little shit and will be whispering in your ear more than once."
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"I like that," he says, throwing a small smile over his shoulder. "I want your opinions. I don't need a silent trophy on my arm. I don't like you for your beauty. But it is...stunning."
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Godric shakes his head. "Ten. You have....eighteen hours," he says with a barely suppressed laugh.
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"I can send a car if you'd like," he says, walking past him and hesitating before kissing him deeply.
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"I'll be ready then. And I'll make sure I'm the best looking person at the entire damn party."
Time to show those vampires up.
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He leans into the kiss, enjoying it with a sigh as he pulls back. "I believe that."
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"Now go. Perfection takes time and I know you have some desperately boring vampire sheriff nonsense to do before your party. I'll see you then."
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"Sleep, Dorian. I am going to sleep today."
He smiles and disappears, leaving his phone behind.
And later that evening, a black car comes for Dorian and waits outside the building.
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When the car pulls up at the party, Dorian tips the driver handsomely, then makes his way in. He's walking like he owns the place, giving anybody there only a little nod as acknowledgement, until he finds Godric.
"I brought you a present~" said in a sing song tone, as he offers the vampire the small box.
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Godric grins at him, like a secret, like Dorian is the only one who can light him up.
He places the box on the table beside him and gestures to the chair on the other side.
"Why do I need pictures when I have you here now?"
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"You'll need pictures because occasionally you'll need a little reminder of what you're missing every time you're stuck in one of those endlessly long vampire politics meetings."
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"I have no idea what you mean."
He hands the phone to Stand behind him, who glowers at Dorian but plugs the phone into the wall for him.
Godric reaches over to take Dorian's hand instead. His grip is loose, weak, and as he leans in, the light shows how much paler he is than even the night before.
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Dorian gives Godric's hand a little squeeze before leaning in to whisper, "You're coming back to mine tonight—and I won't take no for an answer."
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