dorian & godric
Christ, how Dorian hated Texas.
It was the best and worst of America. There still was so much space, plenty of towns barely hanging on, hardscrabble little places that were trying to make their move, the drive and determination and chutzpah that Dorian adored of the America in the past. America in the 1920s was great. A feisty nation, determined to prove itself on the world's stage, bright and brilliant and ready to take on the challenge.
But the Texas cities? The cities were horrible. Large, ugly things almost crushed under the weight of their own self-importance and overpasses. Forgotten centers where all residents fled to cookie-cutter nigh identical houses set in towns created solely for the purpose of commuting. People didn't thrive in places like that, with their subdivisions and big box stores and fucking Targets. You lived there, but you didn't thrive. And Dorian Gray was always looking for something new, something bright and breathing and alive.
Granted, a shitty little dive bar wasn't exactly what most people thought of when they thought of 'alive.' But Dorian had been lingering around Dallas long enough that a few things had gained his interest. The coming out of the closet, so to speak, of vampires had been the big one. Idly, he wondered what Toby would have thought of it all—he felt so alone for so long. Would vampire advocacy groups or these cute little pamphlets have changed anything? Or would the Sunday morning cable news services about how all vampires are damned have made things worse? There's no way of knowing. But Dorian wanted to learn more about this himself.
Try as he may to fit in, it's obvious that Dorian is here for something. He flirts with the waitress and casually asks a few questions about vampire activity in the area. He loses a game of pool but presses his competition whenever they bring up 'fangs.' This is the third day in a row he's made some not-so-subtle inquiries about vampires, something's got to give eventually. He's British as hell, the accent is a dead giveaway, so might as well lean into the obviousness and see what happens.
And as he slips out of the back door of the dive bar, stepping outside to light up a cigarette, Dorian's certain that something will happen. What precisely? He doesn't know.
It was the best and worst of America. There still was so much space, plenty of towns barely hanging on, hardscrabble little places that were trying to make their move, the drive and determination and chutzpah that Dorian adored of the America in the past. America in the 1920s was great. A feisty nation, determined to prove itself on the world's stage, bright and brilliant and ready to take on the challenge.
But the Texas cities? The cities were horrible. Large, ugly things almost crushed under the weight of their own self-importance and overpasses. Forgotten centers where all residents fled to cookie-cutter nigh identical houses set in towns created solely for the purpose of commuting. People didn't thrive in places like that, with their subdivisions and big box stores and fucking Targets. You lived there, but you didn't thrive. And Dorian Gray was always looking for something new, something bright and breathing and alive.
Granted, a shitty little dive bar wasn't exactly what most people thought of when they thought of 'alive.' But Dorian had been lingering around Dallas long enough that a few things had gained his interest. The coming out of the closet, so to speak, of vampires had been the big one. Idly, he wondered what Toby would have thought of it all—he felt so alone for so long. Would vampire advocacy groups or these cute little pamphlets have changed anything? Or would the Sunday morning cable news services about how all vampires are damned have made things worse? There's no way of knowing. But Dorian wanted to learn more about this himself.
Try as he may to fit in, it's obvious that Dorian is here for something. He flirts with the waitress and casually asks a few questions about vampire activity in the area. He loses a game of pool but presses his competition whenever they bring up 'fangs.' This is the third day in a row he's made some not-so-subtle inquiries about vampires, something's got to give eventually. He's British as hell, the accent is a dead giveaway, so might as well lean into the obviousness and see what happens.
And as he slips out of the back door of the dive bar, stepping outside to light up a cigarette, Dorian's certain that something will happen. What precisely? He doesn't know.

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"Five hundred years ago," he says and sits down in his chair again.
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Dorian takes another, larger drink of his whiskey. "That just means I'll have to do my best."
He sets his glass down, then moves to straddle Godric, ready and willing to start fucking.
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He breathes him in, though. "And this is not your best."
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"You haven't seen me at my best. I wonder if you ever will."
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"With an ego like that, I suppose I should be anticipating it?"
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Dorian moves his hand upward, so that it's cupping Godric's crotch.
"Keep playing games like this and I might just have to make you jealous."
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There is absolutely no reaction to Dorian's hand on him. Godric prides himself on his tight control of his own body and instincts. This is no different.
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"You'd like it if I was your territory, though. A pretty thing like myself. A human with so many questions. I'd be the perfect thing to show off to all your other vampire friends. And I'd be all yours."
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"I can get sex anywhere, Dorian. If I wanted it. But I don't. I thought - " He shakes his head. "Well, it doesn't matter what I think."
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Dorian lets himself get pushed off Godric, but he doesn't leave. He just stands there, looking over at the vampire, waiting for an answer.
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He settles on not.
"Perhaps I will tell you tomorrow," he says as he turns to retreat back to his room.
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"Perhaps I will show up."
Before Dorian turns to grumpily stomp out of Godric's house. He loves this and hates this all at the same time.
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And later, he sends him a list of apartment buildings that are ready to rent, ready to go, that meet Dorian's specifications.
As for Godric, he stays at home and, while he doesn't wait for him specifically, he does cast a glance to the door every once in a while, waiting for him to walk through it.
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He does rent one of Godric's apartments, though. And spends his evenings in the vampire club that Godric showed him, happily shit-talking the sheriff to whoever will listen.
Yes he's being a child but he's in the right! Godric deserves this a little bit.
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"Fuck!"
Not expecting that, buddy!!
"Christ, I should have picked a different flat."
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Godric shrugs as he looks over. "You have been enjoying yourself, I assume?" he wonders, raising a brow.
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"I've been spending time with some people who know how to have fun."
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"And yet, you still want something else. Something more."
He looks out the window.
"How are you so old and yet so impatient?"
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"I don't know how you can be so old and so still. You finally have something new. I'm something new. If I were in your shoes, I'd be jumping at the opportunity for a new experience and yet you're taking your sweet time."
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"Because you aren't new, Dorian Gray. You are a strange being, but I have met many of those. You still act like a human. The sort of man who thinks only about instinct. You will sleep with me and then leave. And what did I gain but another forgettable bed partner that does not last?"
He doesn't turn to look at him.
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It's vague, he knows. But Dorian knows precisely what about Godric is attractive to him—he's just hesitant to actually say it.
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Godric is quiet for a very long moment. He breathes out.
"Is that why you keep trying to get my attention?'
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"I don't go to this much effort for anyone. Only those that truly interest me, more than a quick fling."
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He stands up and walks over, tilting his head. "Then prove it. Stop this nonsense and come to me as you are."
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