dorian & godric
Christ, how Dorian hated Texas.
It was the best and worst of America. There still was so much space, plenty of towns barely hanging on, hardscrabble little places that were trying to make their move, the drive and determination and chutzpah that Dorian adored of the America in the past. America in the 1920s was great. A feisty nation, determined to prove itself on the world's stage, bright and brilliant and ready to take on the challenge.
But the Texas cities? The cities were horrible. Large, ugly things almost crushed under the weight of their own self-importance and overpasses. Forgotten centers where all residents fled to cookie-cutter nigh identical houses set in towns created solely for the purpose of commuting. People didn't thrive in places like that, with their subdivisions and big box stores and fucking Targets. You lived there, but you didn't thrive. And Dorian Gray was always looking for something new, something bright and breathing and alive.
Granted, a shitty little dive bar wasn't exactly what most people thought of when they thought of 'alive.' But Dorian had been lingering around Dallas long enough that a few things had gained his interest. The coming out of the closet, so to speak, of vampires had been the big one. Idly, he wondered what Toby would have thought of it all—he felt so alone for so long. Would vampire advocacy groups or these cute little pamphlets have changed anything? Or would the Sunday morning cable news services about how all vampires are damned have made things worse? There's no way of knowing. But Dorian wanted to learn more about this himself.
Try as he may to fit in, it's obvious that Dorian is here for something. He flirts with the waitress and casually asks a few questions about vampire activity in the area. He loses a game of pool but presses his competition whenever they bring up 'fangs.' This is the third day in a row he's made some not-so-subtle inquiries about vampires, something's got to give eventually. He's British as hell, the accent is a dead giveaway, so might as well lean into the obviousness and see what happens.
And as he slips out of the back door of the dive bar, stepping outside to light up a cigarette, Dorian's certain that something will happen. What precisely? He doesn't know.
It was the best and worst of America. There still was so much space, plenty of towns barely hanging on, hardscrabble little places that were trying to make their move, the drive and determination and chutzpah that Dorian adored of the America in the past. America in the 1920s was great. A feisty nation, determined to prove itself on the world's stage, bright and brilliant and ready to take on the challenge.
But the Texas cities? The cities were horrible. Large, ugly things almost crushed under the weight of their own self-importance and overpasses. Forgotten centers where all residents fled to cookie-cutter nigh identical houses set in towns created solely for the purpose of commuting. People didn't thrive in places like that, with their subdivisions and big box stores and fucking Targets. You lived there, but you didn't thrive. And Dorian Gray was always looking for something new, something bright and breathing and alive.
Granted, a shitty little dive bar wasn't exactly what most people thought of when they thought of 'alive.' But Dorian had been lingering around Dallas long enough that a few things had gained his interest. The coming out of the closet, so to speak, of vampires had been the big one. Idly, he wondered what Toby would have thought of it all—he felt so alone for so long. Would vampire advocacy groups or these cute little pamphlets have changed anything? Or would the Sunday morning cable news services about how all vampires are damned have made things worse? There's no way of knowing. But Dorian wanted to learn more about this himself.
Try as he may to fit in, it's obvious that Dorian is here for something. He flirts with the waitress and casually asks a few questions about vampire activity in the area. He loses a game of pool but presses his competition whenever they bring up 'fangs.' This is the third day in a row he's made some not-so-subtle inquiries about vampires, something's got to give eventually. He's British as hell, the accent is a dead giveaway, so might as well lean into the obviousness and see what happens.
And as he slips out of the back door of the dive bar, stepping outside to light up a cigarette, Dorian's certain that something will happen. What precisely? He doesn't know.

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Because that's a strange way to answer the question. No one talks about their own history that way.
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Nobody talks about their own history that way as well, buddy
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"How about I trade a story for yours?" he wonders. "Will that hold your interest in between your bouts of sex and hedonism?"
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He glances back towards his room. "You've seen the replicas of the sword I carried in there."
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"Obviously you were turned later. When was that?"
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"Perhaps that is a story I will tell you another night," he says gently. "You should go. My council will be here soon."
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"We talk about politics. No humans allowed," he says and gives him a gentle push.
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This is Dorian being a shit just to be a shit. However, he will let Godric push him out.
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The next day, Dorian shows up at around the same time: 10pm. Though when Godric lets him in, Dorian is frantically texting.
"Give me a moment. I need to settle this transaction, then I'm all yours."
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Godric just sighs as he sits down. "What are you doing?" he wonders, not bothering to greet him.
"And why are you looking for apartments?"
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"And I'm looking for apartments because I'm staying in Dallas. Don't you remember our wager? Until you find out how to kill me, I'm not going to leave you alone."
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"I don't believe I agreed to it. But if you want to stay, I have a few places in mind," he offers. "If you would like the names of them."
They are owned by Godric, which means he can enter and exit freely...but that isn't something he cares to explain right now.
Dorian brings out the worst part of him, but Godric almost longs for it at this point.
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Friends, one night stands, same thing.
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"I have several," he says breezily and sits down.
"Now, I believe it is your turn for a story."
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"I was mauled by a werewolf one time. I wanted to see the Northern Lights, so I took a trip to Iceland. Unfortunately, I ran into a half-eaten deer and had a little car trouble. A good Samaritan saved me and brought me to the nearest village... at which point he immediately told me that since it's a full moon, I should turn around and leave. After all, it's a bad look if a British tourist vanishes. And werewolves have just as terrible impulse control as vampires."
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"And what happened?" he wonders. "As you are very much not mauled right now."
He tries not to stiffen at the mention of werewolves. They are everywhere.
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Now. How to phrase this next part...
"I was almost turned. But the problem sorted itself out before the final transformation."
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Now that is a feat and Godric finally does look at him.
"Sorted itself in what way?"
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"I think it's your time to tell me a story."
Not telling, buddy.
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